Veteran musicians and audiophiles turn to Sennheiser for their gear, and the brand has consistently delivered upon its promise of quality for over 70 years. It features an impressive frequency response of 30 Hz to 18 kHz. That, with its very special character, makes the MA-200 tube condenser mic great for acoustic instruments, vocals, piano, drum overhead, orchestra, and spot miking. Several examples survived the war and went on to serve the Aeronautica Militare Italiana, but by 1950 they had all been retired. The general use of Verde Anticorrosione is a myth that for some reason keeps being retold, even if primary sources and artifacts clearly tell a different story.

This large-diaphragm condenser mic is capable of handling high sound pressure levels while offering great sound quality at a remarkably low price. It features an impedance of 120 ohms, a cardioid polar pattern, and durable, rugged construction. With a distinguished appearance, the AT4041 looks like it should cost twice the amount of its modest price tag. It also has a brilliantly clear and crisp tone and is ideal for capturing open and closed hi-hats. The main career of the SM.81 started on 28 July 1936. On a mission dedicated to supporting General Francisco Franco and his " alzamiento" (uprising) against the Republican government at the start of the Spanish Civil War; 12 SM.81s under the guise of Spanish civilian ownership took off from Elmas, near Cagliari, to fly to Morocco carrying 63 non-uniformed troops led by Colonel Ivanoe Bonomi. The anticipated ferry flight was around 1,135km (705mi), but several problems occurred en route. The Savoia-Marchetti SM.81 Pipistrello ( Italian: bat) was the first three-engine bomber/ transport aircraft serving in the Italian Regia Aeronautica. [2] When it appeared in 1935, it represented a real step ahead in Italian military aviation: it was fast, well armed and had a long range. [2] It proved effective during the war with Ethiopia and the Spanish Civil War. [2] Despite being too slow to remain competitive as a bomber in the later years of World War II, it was one of the most flexible, reliable and important aircraft of the Regia Aeronautica from 1935 to 1944, and adapted to second-line duties in a wide range of tasks.

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It may sound simple, but certain microphones are difficult to integrate into a recording session because they’re not suitable for your specific gear or drumming style.

If you aren’t too familiar with the technicalities of recording drums, you may want to consider a simpler microphone model; in the case of this list, everything except Sennheiser’s SKM 835-XSW-A fits the bill. Conclusion In North Africa and Italy, SM.81s were used more and more as night bombers, no longer assigned to anti-ship and day-light bombing after the first year of war. 145 Group delivered as of the end of January 1941: 11,600 men and 1,140tonnes (1,260tons) of various materials, in 3,200 flying hours. This microphone is an institution and that is not an overstatement. The Royer R-121 Ribbon mic has been a beloved tool among discerning engineers and producers that want an incredible mic that is also versatile. For many, the acoustic guitar is the ultimate instrument for songwriting. There’s nothing that can beat the convenience and ease of use of a 6-string acoustic, and if that’s not small enough, you can even consider a half-sized acoustic guitar.

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Many inexpensive microphones tend to sound great when used for recording or live playing, but they don’t last as many years. Their casing either wears out, or their internal wiring goes awry. The Shure SM81-LC Condenser Microphone is an excellent sounding microphone that represents the gold standard in acoustic recording. It has a wide frequency range and beautifully detailed sound reproduction. Though the ukulele does produce both even and odd harmonics, the nylon strings do not produce a great amount of overtones, which yields the warm, mellow sound of the ukulele. The Royer R-121 is a superior choice for acoustic guitar recording, among many other applications. You might think that its price is elevated, but once you try this microphone and hear how great and versatile it is, it becomes clear that it is worth every penny. The Shure KSM44A features a dual-diaphragm design that makes it an extra special choice. This unique design allows for its large diaphragm to behave like two paired small diaphragm mics that can handle both low and high-frequency transients.

There are various types of ukuleles that differ in size and pitch, though the soprano ukulele is the most common.

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My feeling is that after the discovery of the use of Verde Anticorrosione as a primer too many authors assumed that this colour was ubiquitous without caring too much to look into primary sources. Some modellers did their own research and found more information although a lot of information was also available years ago but seems to be forgotten... my notes on the interior of the SM.79 are based on articles published in club bulletins many years ago, themselves based on SIAI documents. Yes years later there were books showing drawings of SM.79 interiors in green.... The SM81 is the perfect choice for a professional musician or sound engineer who is looking to mic up acoustic instruments such as acoustic guitar, piano and cymbals. It can ideally be used on stage and because of its high quality is also at home in the recording studio.

This mic comes with a low RF susceptibility that mitigates radio interference so your takes aren’t ruined with unnecessary noise. With its extensive frequency response coupled with a transformerless design, the AT4041 delivers a smooth, well-rounded sound that stays true to the natural tone of the sound source. It can also be used for a range of other instruments, making it great value for the price. You can place it in front of an electric guitar amp or use it to capture the details of a piano. This is a fantastic microphone for the money, and despite its affordable price tag, it offers beautifully smooth sounds and boasts a rugged and durable construction that will allow it to serve you for years. As for why it’s perfect for hi-hat miking, there are more than a few reasons, the main being its high SPL rating.This means that no matter how loud your hi-hats are pounded, minimal distortion if any at all, will be introduced to the mix. Since hi-hat cymbals produce razor-sharp sounds at super-high frequencies, AT2021 can effortlessly tolerate up to 145 decibels, making it deserving of the top slot in today’s list. Angelucci, Enzo and Paolo Matricardi. World Aircraft: World War II, Volume I (Sampson Low Guides). Maidenhead, UK: Sampson Low, 1978. ISBN 0-562-00096-8. As opposed to more traditional microphones, Sennheiser’s SKM 835-XSW-A sports a customizable audio adjustment range of up to 45 decibels (in increments of 5 decibels).